Cutting bulk film and packing my own film canisters, I relied on a Pentax K1000 to help me capture life as it happens. After, I worked in the darkroom, processing and finishing all of my shots, eager to free the imagery trapped within the silver emulsion.
I’ve utilized subatomic photons and electrons and acoustics to create and manipulate imagery from electron microscopes, traditional film and digital, underwater sonar, lidar, and satellite sources.
Relying on a small, passionate team, we seek to capture, preserve, and digitally restore “split-seconds of interesting.”
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I reserve all rights provided by copyright law, such as the right to make copies, distribute my work, perform my work, license, or otherwise exploit my work; no rights are waived under this license.